Erased: Memories ‘Round the Block (includes photo essay)

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“Memories Round the Block” follows the slow unraveling of a neighborhood as time, progress, and gentrification strip away its color and life. The story begins with laughter and play, but each photo and stanza moves closer to silence — homes abandoned, stores shuttered, people gone. The photographs are intentionally dim and muted, mirroring how memory fades and how the neighborhood’s spirit dulls under change. Each “Tick Tock” marks the passage of time and the quiet loss of community. This gallery is not about beautifying decay, but revealing the cost of progress — how memories linger even when the people and places are gone.

Tick Tock. The kids played from sunup to sundown, sneakers scraping against the pavement, sweat biting into their eyes, language flooding the block. Momma screamed from the door, “Don’t be outside too long.”

Tick Tock. There was a time when the kids were round the block, running with the ball till one made it to the white line — their touchdown. Dribbling the ball, swerving from the enemy, ice cream melting in their hands now replaced by suitcases. The kids don’t play no more, ‘cause the concrete’s been replaced by marbled floors.

That’s how the days used to go.

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If lucky, the boys would tire by midday, and Momma made it home before midnight. If they were lucky, she’d be outside, watching them run for the swings while the boy put the groceries away. Momma would call her best friend, talkin’ about the latest gossip round the block. Jance was leavin’.
.

Tick Tock. The swings are still there, paint fading, seats empty. The court stays quiet after rain. Somewhere, Momma’s voice still carries through the air — soft, distant, telling the kids not to stay out too long.

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Janice was the first to leave. Had complications with living — couldn’t pay rent, so she found a new place. Sold her house to a man, pale to the face. Janice left no note explaining why she left, though you’d hear the cries of her baby when she dropped her bottle on the ground.

Tick Tock. The bottle remains — abandoned, like the home they left. Janice never said the house was part of the deal. Shards of glass remain, storing the memory of what once was.

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Momma found this strange. Janice always talked about how lovely, how small, how perfect the house was — just right for her and her baby. And then suddenly, they left. Momma stood in front of the house with the girls. Yanet asked, “Momma, did Jance leave the pink house for a white one?” Janet said, “Jance always liked pink.”

Tick Tock. The swings are still there, paint fading, seats empty. The court stays quiet after rain. Somewhere, Momma’s voice still carries through the air — soft, distant, telling the kids not to stay out too long.

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Jance had set a trend. Empty houses plenty. Momma grew weary. No explanation — just places empty. Then came a knock at the door. A briefcase in hand, a grin in the other, confusion laced across her face. The man wanted to buy Momma’s place, but Momma said no.

Tick Tock. What once was private became public. No need for gates — anyone could waltz in. The house, piled with trash, was simply empty.

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The same man came knocking on another door. The house Ms. Anne resided in. She was hanging clothes, no need for a clothesline — she had the fence. The man waltzed in, with a pouch of Whisker Lickin’s this time. Treats for the cats. That same night, Ms. Anne was gone. Forgot to take down the clothes on the fence.

Tick Tock. What once was private became public. No need for gates — anyone could waltz in. The house, piled with trash, was simply empty.

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Momma’s been meaning to get rid of the car. She didn’t have time. The bills kept rising. Couldn’t afford to dispose of it. Rust’s been creeping up the hood.

Tick Tock. Momma’s got a rusted car but can’t afford the bills. Everything’s gone up.

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The neighbors left a message. All the ones that left. But someone scribbled across it —the message lost.

Tick Tock. Momma’s got a rusted car but can’t afford the bills. Everything’s gone up.

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Yanet caught a cold. Momma wanted to pass by the store for medicine, but every door was nailed shut. She went home instead — brewed leaves. Made tea.

Tick Tock. It started with the people. Then the houses. Now the stores. Soon there won’t be anything left at all.

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Yanet and Janet were the only kids left in the neighborhood. With no boys to watch, and dolls no longer fun, they stuck stickers on a metal box and went home.

Tick Tock. Everyone’s gone. The announcement came — the neighborhood’s future: death, to make room for riches.

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The briefcase man didn’t come again —not until signs started rising. “For Sale” everywhere, except on her door.

Tick Tock. No deals for Momma. He came back when she couldn’t afford the rent. She packed what she could and left for a cheaper place.

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Tick Tock. You won’t find children round the block. No boys playing ball. No girl waiting, bored. No Momma on the porch. You’ll find an overpriced coffee shop,
and tall buildings higher than what you get paid.

Tick Tock. The briefcase man called it magic — a new innovation, something to draw the tourists in. And Momma? She’s still looking for a home. At least, they paid her off.

Johane Saintil is a sophomore majoring in digital communications and media with minors in hospitality and creative writing. After her studies, she wishes to pursue a career in the journalism field.

Anthony Perez is a junior at Florida International University who is passionate about the entertainment industry.

Perez has experience in live event production and creative coordination. He works with an event company that provides DJs and photo booths for clients. He also likes to work on personal projects like short films and music. Perez hopes to become a creative director in the entertainment industry in the future.

Perez will graduate from the Lee Caplin School of Journalism & Media with a bachelor's degree in digital communication and media in Spring 2026.